New York City Jazz explores many of the haunts and hideaways that have played host to iconic jazz musicians and singers like Charlie Parker, Miles Davis, John Coltrane, Bill Evans, Billie Holiday, Dizzy Gillespie, and Lester Young. Considered the jazz capital of the world, New York City is known for its flashy venues. The stages of the Latin Quarter, Apollo Theater, Minton's Playhouse, Onyx, Stork Club, Downbeat Club, Birdland, Roseland, and Copacabana came to life with the sounds of pianos, drums, horns, and gypsy guitars. This collection of images presents why Fifty-second Street was nicknamed "Swing Street" and how musicians made timeless names for themselves in the Empire City.

Innocence is a rich and emotive idea, but what does it really mean? This is a significant question both for literary interpretation and theology-yet one without a straightforward answer. This volume provides a critical overview of key issues and historical developments in the concept of innocence, delving into its ambivalences and exploring the many transformations of innocence within literature and theology. The contributions in this volume, by leading scholars in their respective fields, provide a range of responses to this critical question. They address literary and theological treatments of innocence from the birth of modernity to the present day. They discuss major symbols and themes surrounding innocence, including purity and sexuality, childhood and inexperience, nostalgia and utopianism, morality and virtue. This interdisciplinary collection explores the many sides of innocence, from aesthetics to ethics, from semantics to metaphysics, examining the significance of innocence as both a concept and a word. The contributions reveal how innocence has progressed through centuries of dramatic alterations, secularizations and subversions, while retaining an enduring relevance as a key concept in human thought, experience, and imagination.

Innocence is a rich and emotive idea, but what does it really mean? This is a significant question both for literary interpretation and theology-yet one without a straightforward answer. This volume provides a critical overview of key issues and historical developments in the concept of innocence, delving into its ambivalences and exploring the many transformations of innocence within literature and theology. The contributions in this volume, by leading scholars in their respective fields, provide a range of responses to this critical question. They address literary and theological treatments of innocence from the birth of modernity to the present day. They discuss major symbols and themes surrounding innocence, including purity and sexuality, childhood and inexperience, nostalgia and utopianism, morality and virtue. This interdisciplinary collection explores the many sides of innocence, from aesthetics to ethics, from semantics to metaphysics, examining the significance of innocence as both a concept and a word. The contributions reveal how innocence has progressed through centuries of dramatic alterations, secularizations and subversions, while retaining an enduring relevance as a key concept in human thought, experience, and imagination.

America is at a crossroads. Conflicting political and social perspectives reflect a need to collectively define our moral imperatives, clarify cultural values, and inspire meaningful change. In that patriotic spirit, nearly two hundred writers, artists, scientists, and political and community leaders have come together since the 2016 presidential election to offer their impassioned letters to America, in a project envisioned by the online journal Terrain.org and collected, with 50 never-before-published letters, in Dear America: Letters of Hope, Habitat, Defiance, and Democracy. In the inaugural piece in Terrain.org's Letters to America series, Alison Hawthorne Deming writes, "Think of the great spirit of inventiveness the Earth calls forth after each major disturbance it suffers. Be artful, inventive, and just, my friends, but do not be silent." Joining Deming are renowned artists and thinkers including Seth Abramson, Ellen Bass, Jericho Brown, Francisco Cantu, Kurt Caswell, Victoria Chang, Camille T. Dungy, Tarfia Faizullah, Blas Falconer, Attorney General Bob Ferguson, David Gessner, Katrina Goldsaito, Kimiko Hahn, Brenda Hillman, Jane Hirshfield, Linda Hogan, Pam Houston, Robin Wall Kimmerer, Karen An-hwei Lee, Christopher Merrill, Kathryn Miles, Kathleen Dean Moore, Aimee Nezhukumatathil, Naomi Shihab Nye, Elena Passarello, Dean Rader, Scott Russell Sanders, Lauret Savoy, Gary Soto, Pete Souza, Kim Stafford, Sandra Steingraber, Arthur Sze, Scott Warren, Debbie Weingarten, Christian Wiman, Robert Wrigley, and others. Dear America reflects the evolution of a moral panic that has emerged in the nation. More importantly, it is a timely congress of the personal and the political, a clarion call to find common ground and conflict resolution, all with a particular focus on the environment, social justice, and climate change. The diverse collection features personal essays, narrative journalism, poetry, and visual art from nearly 130 contributors-many pieces never before published-all literary reactions to the times we live in, with a focus on civic action and social change as we approach future elections. As Scott Minar writes, we must remain steadfast and look to the future: "Despair can bring us very low, or it can make us smarter and stronger than we have ever been before."

In a lyrical memoir and meditation on the nature of time and place, Elizabeth Dodd explores a variety of landscapes, reading the records left by inhabitants and by time itself. In spring in the Yucatan peninsula, she marks the equinox among the ruins of the Maya. In summer in the Orkney Islands, she considers linguistic and historic connections with Icelandic sagas. In tallgrass country in the fall, she observes bison and black-footed ferrets returning to their ancestral landscape. In winter in the canyons of the Ancestral Puebloans, she notes the standstill positions of the sun and the moon.
Ranging across continents and millennia, Dodd examines how people have inscribed the concept of time into their physical environments, through rock art, standing stones, and the alignment of buildings on the landscape. She follows the etymological trail of various languages, blending research with travel narrative and aesthetic meditation. From musings on the origin of the sandhill cranes' transcontinental journey to reflections on the dimming light of shortening days as the winter solstice approaches, from depictions of exploding stars in ancient petroglyphs to meditations on the Great North Road, whose purpose scientists have yet to discover, Dodd captures the interstices of the natural world.

Together with Consulting Editor Dr. Helen Boucher, Drs. Elizabeth Dodds-Ashley and S. Schaefer Spires have put together a unique issue that discusses collaborative antimicrobial stewardship. Expert authors have contributed clinical review articles on the following topics: Collaborative Antimicrobial Stewardship for Hospitalists; Collaborative Antimicrobial Stewardship in Microbiology; Collaborative Antimicrobial Stewardship in Nursing; Infection Prevention in Collaborative Antimicrobial Stewardship; Collaborative Antimicrobial Stewardship in the Health Department; Collaborative Antimicrobial Stewardship in Primary Care; Collaborative Antimicrobial Stewardship in Health System Administration; Collaborative Antimicrobial Stewardship for Surgeons; Collaborative Antimicrobial Stewardship in the Emergency Department; and Collaborative Antimicrobial Stewardship in Long-Term Care Facilities. Readers will come away with the information they need to collaborate across disciplines to improve the incidence of antibiotic resistance in their healthcare settings.

"And now I feel all these events from a week in the Prospect mountains, and the narrative pattern they cast like a shadow, or like ripples in sand, have been filed somewhere in the regions of the brain near to where the neurons and synapses first lit and flexed their tiny, metaphoric muscles from that childhood reading. In recent years scientists have emphasized how changing and dynamic is the human brain, shaped and structured by both thoughts and experience. The quest for understanding, the peripheral vision we gain from gazing where we do, becomes a kind of topography in our own head's contours, gray matter under bone and skin and hair."

In "Prospect," her wise collection of essays, Elizabeth Dodd widens her gaze to peer at the world through a myriad of lenses--natural history, local history, science, anthropology, philosophy, and literature. Offering cultural commentary and personal revelation, she invites the reader on a journey into the heart of life--the life of places, the life of the individual, the life of a culture. It is a journey whose map is continuously being formed out of the matter of the moment.

For Dodd, the pins on the map outlining the way are made up of elm trees and mosquitoes, burial and ceremonial mounds, a lunatic asylum, an inner-city neighborhood, the dissolution of a marriage, a mother's death. In the venerable tradition of Gary Snyder, Terry Tempest Williams, and John Haines, Dodd uses the elements of the natural world and historical fact as compass points to locate the sense of self.